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Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

News of Sepultura

IGOR CAVALERA LEAVES SEPULTURA | 12.06.2006

OFFICIAL STATEMENT TO THE PRESS


Since the beginning of SEPULTURA the ideas of the band were based on the open mindedness, a strong attitude, and the belief in what ever it is that you set your mind to do do it with all your heart.

This band has grown to become more then just the individuals in it, with it's additions of members from the start and until now. The ideas and determination from all the members co-founders or not has kept this band together for many years along with the important belief from our supportive fan base.

We set out to create, perform, and communicate our music to the world, an aspect of SEPULTURA that is still alive with us. We do not want to quit in the middle of what we started because this means something to us and to the people that believe in us.
We created an album and video with the idea of supporting them 100% and that is what we plan to do with our releases.

We will finish the touring cycle world wide for Dante XXI which we already started. We have enlisted (Jean Dolabella from Belo Horizonte) to come to complete the touring cycle on the road who will bring the positive attitude, passion and drive that has given the integrity to the name SEPULTURA.

Despite of all our efforts to compromise and respecting Igor's desire to have a break for himself we needed to follow up with our new release with touring which is what was expected of us to do. With Igor's full understanding that we would continue the touring cycle with someone else it was accepted and fully understood by him. Upon return from the first part of the tour Igor decided to leave the band by his own choice and we can accept that. We wish him all the luck in what ever it is he wishes to pursue.

- Sepultura












DVD News

„KEEPER OF THE SEVEN KEYS – THE LEGACY WORLD TOUR 2005/2006 LIVE ON 3 CONTINENTS” on DVD and CD in three different formats

The past two years were without doubt among the most successful in Helloween’s long career. Their album success, Keeper Of The Seven Keys – The Legacy, earned them critical acclaim all over the world, and the five musicians, Andi Deris (vocals), Michael Weikath (guitar), Markus Großkopf (bass), Sascha Gerstner (guitar) and Dani Löble (drums), embarked on a celebrated tour around the world, playing 100 concerts in 40 countries and sold-out shows in packed venues wherever they appeared. Helloween recorded three of these sensational shows - in Sofia, Tokyo and Sao Paulo - and are set to release these recordings on their brand-new double live album and double live DVD. Over 6,000 enthusiastic fans came to the show in Sao Paulo on March 25, 2006, where the majority of the cuts were recorded, celebrating their idols with frenetic applause.

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Light The Universe - Release

Friday, 22 September 2006

HELLOWEEN will release their new single, "Light the Universe", on November 13 via SPV Records (November 10 in Germany). The title cut is said to be the first-ever duet in the band's history, which also features an appearance by BLACKMORE'S NIGHT singer Candice Night.In addition to the single version of "Light the Universe", this four-track single offers bonus material in the form of a video for the title track, directed by Alexander Diezinger (NEGATIVE, L'AME IMMORTELLE, EXILIA) at Veldenstein Castle in southern Germany, the track "Revolution" (penned by bassist Markus Großkopf, recorded for Japan and previously unreleased in Europe), as well as an appetizer for the band's upcoming live album — a stage version of "If I Could Fly", recorded in Sao Paulo in March 2006.

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Light The Universe - Single News

Monday, 21 August 2006

Helloween have spent a long day at the castle Veldenstein in the southern part of Germany recently. The castle was the fascinating location for the shoot of the video for the upcoming single “Light The Universe” - the first ever duet in the band’s history - with renowned director Alex Diezinger (Negative, L’Ame Immortelle, Exilia) of AVA Studios. Joining the band on the castle like in the recording studio was Blackmore’s Night beautiful singer Candice Night.

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Legacy on LP / new DVD

Tuesday, 23 May 2006

The pumpkin is continuing its triumphal march: following their sensational world tour, which proved to over 150,000 fans at almost 80 shows in over 30 countries night afternight that Helloween’s current album, ‘Keeper Of The Seven Keys -The Legacy’, is a worthy successor to their two cult recordings, ‘Keeper Of The Seven Keys Part I’ and ‘Part II’, the band surrounding vocalist Andi Deris and guitarist Michael Weikath are about to take Europe’s festivalstages by storm. To mark this occasion, Steamhammer/SPV together with Cargoare about to release Helloween’s new masterpiece in a sought-after, popular-with-collectorsvinyl version mid June. In other words: ‘Keeper Of The Seven Keys – The Legacy’ will be out on double LP in a gatefold sleeve. A must for everymelodic metal fan! The band has also announced the impendingrelease of a double DVD, filmed during shows in Sofia, Tokyo and Sao Paulo. In Sao Paulo alone, Helloween played in front of over 6000 enthusiastic fans. Alongside the live footage, the double DVD will include lots of exciting bonus material - release date to be announced by SPV in the coming weeks.

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HELLOWEEN - INTERVIEW

HELLOWEEN

September 2005

http://www.helloween.org

Nadja and Weiki during the interview © Nadja Meyer Well I have heard so much about the legendary Michael Weikath. I heard a lot of opinions about him from friends out of the business and from the Helloween fan forum. Most of them haven't been too nice. Not nice at all. So my feelings towards this interview were mixed. But as Arnold and I arrived for the interview and as it was my turn, the picture I gained in the past about this man melted away. In front of me was just a musician who said most likely what he was thinking. No more... and apparently no less. The ice broke right away as I set up my computer for recording. Though he did not approve too much of my Dell laptop, he was still surprised about the situation. However, after showing the recording program and some jokes aside, we started with the interview. I was still nervous, but that would fade in no time… after the interview, we seem to find no end in talking about music and private experiences, till Andi (who was engaged in another interview) and the promoter finally wanted to grab some food. And the morale of this night: build your own picture. Maybe the wolf everybody was afraid of was just a musician with a furry coat.

One of the first questions is obvious: Why did you choose to call it "Keeper" again. Somewhere I read it would seamlessly fit to the story of the other "Keepers".

Weiki live © Nico WobbenIt is trying to start and connect where the other ended. With Andi in the band, some people would joke that it was taking us a few years (makes Neanderthal laughing noises), what mostly meant "we think you can not do it". Of course other people meant that joke in a more positive direction because they would have liked to hear something like that again. So... "what is with a "Keepers 3"" was meant seriously from both sides. Why ever it didn't happen in the past... if it were the circumstances or the line up or there was no wish to do it. However, after the last tour our Japanese manager came along and said (mimics a Japanese accent) "How would you like to do a "Keepers 3"", hehe. Since we played some parts from the last "Keepers" on the last tour, Andi said we actually could. And I agreed that the band lineup was good to do it. And then, as we went on tour we reserved the rights. We wanted to try something and if it didn't work out, we still could call it something different afterwards, but we wanted to keep our possibilities open. Finally, Charlie, our producer, said at a certain point, when we already had 58 minutes of music: "You know, this is all great material, but if you want to call it a "Keeper" record, than a typical classic, epical Helloween "Keeper" track there is still missing. You just don't have something like 'Invisible Man" or "Occasion Avenue" yet. You now have modern pieces, but maybe too modern, so you have to compose at least one epic track. And if you can not do this within the next three weeks, we can not record it in time, and it will not be on the record and you will not be able to call it a "Keeper" album". So Andi and I sat together for six or eight days of editing things on the power book. Like parts, chords melodies and everything... and as we finished, we felt it was time to let Sascha in on the thing with more tracks and Ideas than we have had at this point. We sat together with Sascha, Markus and me in my living room and edit and edit - it was a very long night and than we played it to Charlie and he also re-edited and rearranged it. Tommy Newton and Tommy Hanson has been a great influence on the material we did back then, so that all came in a very natural way. Obviously you can save a lot of time working on computers. We used to do this all on tapes and rehearsals by that time. So the track "The King For A 1000 Years" was never rehearsed in the rehearsal room. That is really interesting. Then we came back to the island just to record this and play this song, to add the drums and all the other things.

You recorded this in Andi's studio, right (Mi Sueno Studio on Tenerife)?

Yes (preparing some coffee and searching for the missing spoon)

Did the title bring more pressure on you? You mentioned already that people liked to see you fail. The expectation of fans will be high.

Well, that doesn't matter. Did you hear the album already?

No, I was only provided with the single.

Because those are the questions we get before they have heard it. Because usually after they heard it, none of those questions arise, because everybody is just so impressed. I mean yes, it gives a bit additional pressure, but on the other hand we could have been going on doing different records after the "Keeper 2". So maybe the pressure was too high by that time that mistakes were made like the "Pink Bubbles" and the "Chameleon" or whatever. They were not as well received as the other records. So there was certainly something wrong with these records. Even though they were great, but something was wrong. And about pressure. There is always pressure when you want to play in a band and present your stuff to the public, to many people. If you are not able to deal with it, then this might seem like a lot of pressure. There are people who don't belong in this business, because they get too nervous when they have to do things. And there are bands who don't have the talent for songwriting, but wanted to start a band anyway and suddenly they have a record contract and everything they ever wanted, but find themselves afraid because they can not do it.

Is there 20 years of experience talking?

Yeah that too… but I mean I was even more arrogant as we started.

Yes, I heard some stories.

But that's all in the eye of the beholder. As I was even more arrogant as I was 16 and had no record contract.

Will this record now be released world wide, or only in Europe? I read about other records that have been just released regionally. And I read in a lot of different interviews, that fans wonder why and how…

We are now with SPV and they are distributing in Europe and the rest of the world and that is nearly a guarantee that it will be sold all over the world. Well I don't know about Timbuktu and who would be our distributor there, but just because I don't know doesn't mean there is none.

Well I guess the chance is little, that people from Timbuktu read our interview anyway. So let's move on. I was wondering, why you stopped using the pumpkin on your album covers.

Keeper Of The Seven Keys: The Legacy cover © www.helloween.org
Well, that's not true…

It is in the logo alright and in the booklet, but not on the front cover anymore.

That is true, but there is also no pumpkin on the 'Walls Of Jericho", no pumpkin on "Keeper" 1 and 2, no pumpkin on a lot of the covers. They are mostly only inside of the booklet.

Ok... you got me. I did bad homework. You win.

(grins) Also on the Queen records, there was rarely a crown. And they never showed the Queen. Also on Rush.. they never had a rush on the cover….

(slightly childish voice) No, but I like the pumpkin. I can't help it.
Mrs.God single cover © www.helloween.org
(soothing voice) Everybody likes the pumpkin.

What was first, the pumpkin or the name?

The name …the pumpkin came later.

How then?

Because of the pumpkin…(grin)

Hey, that is nasty…

Ok... well it was some witch thing. I'm not quite sure if it was England or the Netherlands, but on "Walpurgis night" the witches gather somewhere in the forest and have their sex rituals. And because they didn't want anybody around, they placed glowing pumpkins all over the forest, so that everybody would be afraid to go there. You know, they place other weird things all around, so people wouldn't go closer to the forest. And that's where it originated.

So basically you wanted to combine that all..

Yeah, especially the witches with their sex rituals in the forest…well.. you actually don't know what they really did there, but nowadays you have modern sources and you might be able to follow up on what they did there…. Maybe even worse things!

Well, how ever your fantasy likes it…
(Arnold:) Originally the witch rituals haven't been sex related. You just needed to be naked, to be as close as possible to nature.

Yes, the Wikka rituals involved a lot of sex actually. I don't know what rituals we are talking about here and in what time area it really took place. But later it ended up in sex for sure.

(getting nervous again) Well can we change the subject?

Ok.. did you know that Weik - the word "weik" - is the term for the witch master in the Wikka?! That's like the guy who controls the witches.

(Arnold:) Hmm... so there is something in your background.

(laughing) No actually not. My name is just Weikath, and has nothing to do with that... I think. (grinning again)

During my preparation for this interview, which I found rather difficult this time, I found an enormous amount of assaults towards you and the band. Mostly in sections for the new album and in the forum. How do you deal with that? Why is it so extreme?

Well it is the same when I was 10 years old when I had a lot of friends, or not friends, guys who didn't like me and gave me a hard time. That's just the case when you look different and when you look attractive or something. Also particularly if you have ignorant people around you, they try to put the blame on other people just for the fun of it. There are even people who beat each other up, or - for guys - on one little guy and they feel so strong and great afterwards and so on…

Helloween © www.helloween.orgBut the music metal business should be a bit different. We are all a bit different and if you check other band pages, it is not as extreme as with you.

Just check the Metallica web page, there you'll find a lot more extremes.

Well.. I wouldn't count Metallica to metal anymore.

No, but whatever. It is just the general human behavior and you gotta get used to it. That's also why being in a band is not always so easy. There are people who don't take criticism always that easy and maybe it goes to the heart very much. I must also be ignorant on my part because I am not doing anything wrong. I just live; I wear my hair like I want to. And if someone has a proposal for my hair cut, I don't have to agree to that. And there will be some guys sitting together in front of the forum and say what do we write now. If they wouldn't have me and the things I said, they wouldn't have anything to complain about. They are just poor little assholes who could better spend their time wiser instead of that kiddy stuff. They probably have little dicks and problems with woman.

Most of those seem to be Spanish or Brazilians but that's interesting because you have a huge fan base over there and on the other hand so much hatred

They seem to be jealous, they probably want to be in a famous band as well but they're not able to. They also have less experience in bed than I have and that hurts and then they get angry because they can't stand it that somebody like me can do his thing.

You think that's the reason?

That's the very heart of it (laughing) especially when you're so dumb and don't understand the things I say. Sometimes one sentence is enough to show how stupid they are, they don't understand what I say and think that I'm an idiot. And I'm so fucking arrogant because I use these difficult expressions and the way I speak I must be gay!!! And then they think you behave like this because you're so proud of yourself that you show off this much. But I'm just answering questions, I could stay home and not do it. But they assume that I do this because I want to be in the center, in the middle of everything, but I don't. I could have a good time at home watching some DVDs or whatever. But this is part of the job and if you're in a band you have to promote yourself

I found out that a lot of fans who have been with you from the beginning stopped being a fan because you got another singer. Why do you think that is, are they too stupid to look beyond that?

Michael Weikath © www.helloween.orgWell people have different tastes of course, but they are very limited and ignorant. For example when Fleetwood Mac replaced their guitarist I understood it, because I saw a concert once where they replaced Lindsey Buckingham for another, but he was not as strong as Lindsey, so he was a weak replacement.. If you don't get what you want to get, people tend to criticize that .The band Helloween chose Andi, because we were so impressed by what he was doing and he was everything we looked for, rather than the high pitched theatrical voice that Michael Kiske had. Because Michael is doing the same thing always and this can be pretty tiresome for a composer. Now it's not that you replace someone because you find them boring, but if it is like that and additionally you have personal difficulties, than it's different. But then people say that we should get someone who sounds like Kiske. Yes ok, but it will all sound the same again. The singer I work with should fill my imagination as well.

And Andi does!?

Yes, he does. I had my share of Michael Kiske in the past and that's ok. You can always rely on what he is singing, but he told me to not smoke on the band bus, well I want to smoke. I am in a rock band.

Well I find it understandable, if you as a singer try to watch your voice for the upcoming gig.

But before he was not complaining and later on he came with all those ideas.

Well maybe he gets old….

(couldn't help to smile) No, just different. This is how people can change. I didn't change much in my life and that is also what people hate so much about me. I gained more experience, but I never drastically changed my views. There are people that change their view ever other week. Or they build up their opinion on the wrong things, because before they didn't have much of an opinion. I always had a strong opinion about many things. That's when you have a personal interest in stating your mind. I find it strange if someone like Michael Kiske, who is singing in a band, changes his opinion so much. You know, on one tour he goes like "Oh, I want to have a hotdog" and the next time he says "I am a vegetarian! You shouldn't eat meat. The poor animals. Did you ever stop to think, what it does to your astral bodies?". Well whatever. Did you ever read his book or his articles on his web page? (I shake my head) That will tell you a lot about how he is and the things he said. We had to deal with that every day. There is just a certain point, where you can have a certain opinion - but that doesn't change that you have to deliver a certain quality of songs to the band. So the songs he had on his demo, we just didn't want to play. Markus didn't want to play it. I didn't want to play it and no one else. That was a big problem. I had to tell him, "Listen, your songs are really so boring, that we won't record them" and he said "Well, then I won't sing and record your songs either". And so we came to a very professional way of talking.

So it felt childish …

Well whatever. And Roland said to me: "I am not going to record another album with him". And that's actually how it happened. At this point I was actually just waiting for the others to tell me something had to change here. I said that already much earlier, but I am not the big dictator. Though people think it of me. So I waited for the band to say to me "Weiki, please! Let's get a different singer!" And that's what happened in the end.

Oh.. That was more information than I expected. (laughter) Well after 20 years of making music. Aren't you afraid to run out of ideas?

No not really. As we started out, there already had been so many bands, who had done records….
(Andi suddenly appears behind me) Hi! What is that? (pointing at my computer)

Hi there! That's my recording device.

(Andi:)
That's a Dell.

Yes, it IS a Dell. And even has Garfield as a wallpaper today.

(Andi:)
That's impressive.
Nadja and Weiki during the interview © Nadja Meyer
With a fire recording display. Like in the win mp3 player.. But it's really clever. That thing has a microphone built in…

(Andi:) Well we are Mac fans, so you thought... (everybody started laughing)

Yes of course! That was the only purpose…(smile)
(we are going a bit more into detail here about my computer and they try to convert me to become a Mac user… after a short break we could go on)

Let's get back to your questions. To the one before. If I would take care on other people's opinion, I couldn't answer the questions honestly and then you would have no interview. It is of course possible to do an interview like that. But I prefer to make a statement and in the moment you make a statement, you give people the opportunity to get annoyed.

And with a statement, you run the risk to tred on someone's toes.

Not really. I am just telling what I am doing and about my work. I don't tell anything bad about someone. I just get angry if someone gets hostile towards me. Then I dare to go back and say they are just crazy. There is nothing bad about the things I am telling. From the moment you are in a band, you have to have an opinion and you will be asked about it in interviews and if people can not stand that, then that is just entirely stupid. Probably they think I am doing this with all bad motives, but there is no such thing as a bad motive behind my opinion. I am in a band, play my music and want to earn my living with it. That's all. But they always draw it down to a primitive level. "He just wants to meet chicks!" or "And that doesn't work anyway, because he is gay and won't admit it". Well that's only because I spread my finger from my cup if I drink. That is not gay, but aristocratic (smiles). Nothing against gay. They are mostly high intellectual. Haven't met that many stupid gay people yet.

Well, I think it has not much to do with being gay if you are smart or not. I've got both kind back at my company. But it has to do with human mentality.

Yes…Well. One basic rule for discussions is: you should try to believe what the other one is saying. Otherwise you'll find no end to the discussion and mankind will go nowhere, if people stop trusting each other. This rule should apply to all sorts of media and publishing… the main thing is, to tell the truth.

Well I think as well one of the big rules is to respect other opinions. Even if it is not in conformity with your own.

That's true. So the people who wrote these bad things about me, they act against these two basic principles. These people act very uncivilized. They can act like that in the jungle or in the forest, but they will never form a new society. And just because I told you the truth again, there will be many who will hate me for this again.

But you don't care!

I don't care! Because those people will probably get drunken one day and go around the next corner, straight into a speeding car. Then there will be one less complaining about me.

That's mean…but ok. There have of course been rumors, that you only keep Helloween alive, because it has a name and due to that it makes money.

Helloween © www.helloween.org Sure we could stop Helloween, change the name and make money with that. But what's the point. You know, you asked me before if we are not running out of ideas. You could have asked me the same thing in the beginning. Like "Do you think, you can create something so new, that it is totally different from anything that is already there". That's an argument my mom had in the beginning. "There already are so many bands like Motorhead, Rainbow, Iron Maiden. What do you want to do?". So I could have just left my guitar in the cupboard because I didn't think I could do more than Deep Purple did.

But you also have bands, that just do their own stuff over and over again, so you get the feeling it's the same CD with one new riff and partial new lyrics. And they think they are still artists, because they change the lyrics.

Lou Reed can not play very good guitar, but his lyrics are very good. And he always has a guitar player, but never let's him play and try the concerts. He is a poet, a very good one, but not the best guitar player there is. Maybe he really should leave that part to others. But as I understood, he has a great deal of fun, producing these sounds in front of others. And that is what it's all about.

What do you think about these entire nu metal bands, which try and think they are so great? And there is not much coming around that sounds good.

Well they gotta try. They will see how hard it is and if they can develop or not.

But giving them a record deal and airplay right away. Isn't that radio pollution?

It surely is. On the other hand some of them might be worth having a contract and others are not. You won't see it right away. But record labels are at the moment not interested in quality. It's all about selling units. Well, they just calculate how much the band will sell all over Europe and if they make a bit of money, they just sign them. This way it keeps the production costs very low for the record company and producer. That is actually what Karl Walterbach has done with Noise Records. And he was lucky to have bands like Celtic Frost or Helloween. People say, that Celtic Frost is horrible music and no one would buy it. But the truth is, a lot of people bought their records. And for Walterbach that was enough. You can not compare Celtic Frost with Shakira, but for Noise Records it was enough. He started out with a small punk band from Germany: Slime. And believe it or not, this band sold many record in Germany. With this money he actually founded Noise Records.

Well maybe that's a good future plan…

I don't know. Then you have to deal with a lot of crazy musicians.

What do you think I am doing right now
(smile)

Talking to a crazy musician and getting paid less than a record label boss.

To be honest, I am not paid at all.

Maybe that's your idealism. You're probably only doing that, because you are gay and because you need to be in the middle of everything and you need a quick gain of cheep energy. Because you will put your word in public and you will enjoy yourself so much, because everybody can read it. And now you'll probably try to tell me, you just do it for the information and you want to inform others about the music you believe in!? I wouldn't believe you (grinning ironically)

If that's what you think, bad luck for you.

(half laughing)
Can you live with that?

Pretty much so!
(Arnold:)
He just tries to show you, what we have been discussing!

Exactly! You see, you have no bad intensions and still you get criticized and words will be put into your mouth.

Weiki live © Nico WobbenSince we get signaled to slowly find an end, I would like to play my association game with you.

Now you become my psychologist.

Oh well, you will survive it.
Rock star.


Isn't that a musical or a movie? We've been to Cologne and they had the musical there.

Alien.

That was one of the first real psycho horror movies. As I watched it at 19, I couldn't sleep that night. And even after two months I was still afraid.

Gentleman.

Something that was something in the past. As I was 15 years old, each time women wanted something they came up with the sentence "You are not really a gentleman" and it was that time of emancipation - same rights and rules - but each time they wanted something or needed something, they brought up the gentlemen. I just got annoyed and told them "I am no fucking gentleman. If you want something, do it yourself". The world doesn't need gentlemnn. You should just be friendly to each other. That's it. Also if a gentleman finds a lady, with the same manners, then you have a good couple there.

Cheesecake.

You mean the swearing word, or the thing to eat? Well first in my mind comes the swearing word and the Aerosmith song.

Highway.

"Highway Star". Deep Purple. Highway was a band in Hamburg and they had some good songs. Then there was an old band in the 70s, "Randy Pie", with the track "Highway Driver" - really good.

Thank you for the interview and see you on tour again!



Helloween Territory

History

Helloween 1983 - 1987

The history of Helloween begins in 1978, when Kai Hansen (vocals/guitar) and Piet Sielck (vocals/guitar) are playing in a band called "Gentry" in Hamburg. Until 1981, Gentry changes it’s moniker to ”Second Hell”, which then features Markus Großkopf (ex-Traumschiff) on bass and Ingo Schwichtenberg on drums. After Sielck leaves Second Hell to become a sound engineer, the band again changes to "Iron Fist". In 1982 Michael Weikath, guitarist of the local band "Powerfool", tries to lure Kai into his band, but then decides to join Iron Fist instead. In 1984, the small record-company Noise invites the band to contribute songs to the compilation "Death Metal". Still not satisfied with their outfit, Iron Fist again change to "Helloween", a name which Ingo Schwichtenberg comes up with, along with the ideas to replace the ”o” with a pumpkin and to draw pumpkin-projects for specific songs, which will later become a trademark of Helloween. The first contribution to the "Death Metal"-record is a slower, sloppier version of "Metal Invaders" and the second is a track Weikath wrote for Powerfool called "Oernst Of Life". In 1985 Helloween release the 5-track mini album "Helloween", also called "the Mini-LP", and in October the long player "Walls Of Jericho" featuring an improved version of "Metal Invaders". Both records are produced by Harris Johns. They are followed by an EP called "Judas" that is produced in order to test the "Horus" studio in Hamburg. Helloween are able to catch the media’s attention and are received with positive reviews. In November 1986, while touring to promote these records, Hansen realizes that his singing abilities are inadequate, for the band is now striving upwards. Moreover, he feels overcharged with doing extensive touring and long gigs, which are no good for his voice. Ralf Scheepers from the band Tyran Pace agrees to finish the tour together with Helloween but does not want join the band. Luckily, after the tour a perfect singer is found in the 18-year old silver-throat Michael Kiske (ex-Ill Prophecy). In December feels confident to do a double-album but Noise, their label, refuses. Therefore the next record released in 1987 is volume one of a concept for 2-discs.

Helloween 1987 - 1989

Produced Tommy Newton/Tommy Hansen, "Keeper Of The Seven Keys Part I" is met with enthusiastic reviews. Helloween even gains success overseas in America and Japan and is able to establish a large fan base. The second part is released in 1988 with "Keeper Of The Seven Keys Part II", which turns out to become even more successful than its predecessor. Before the following tour, Helloween hire keyboarder Jörn Ellerbrock permanently for touring. The "Pumpkins Fly Free" world-tour is a success but in December Kai Hansen leaves because of personal problems with the other band members. He then moves on to form his own band "Gamma Ray". In January 1989, Helloween find a replacement in the guitarist Roland Grapow (ex-Rampage) from Hamburg, with whom they finish the tour off. The same year a live-album is released with various titles: "Live In The U.K." in Europe, "I Want Out - Live" in the U.S. and "Keepers Live" in Japan. To keep the money flowing in, Noise releases two best-of-albums "The Best, The Rest, The Rare" and "Pumpkin Tracks" in 1989. Then Helloween finds out about being ripped off by Noise and signs to the major label EMI. Noise files a lawsuit arguing that Helloween broke their contract. Helloween wins in the lower courts but loses in the fourth. Helloween are faced with harsh restrictions on releasing their material. They are not allowed to release their material anywhere else than where Noise is able to. This leaves fans outside Europe wondering about what has happened to Helloween.

Helloween 1989 – 1993

Finally in 1991 the single "Kids Of The Century" for the new album contains a message of the band about where they have been in the last 3 years and that they couldn’t release their new record as long as their sessions in court took place. The first album with Grapow, "Pink Bubbles Go Ape", becomes a commercial success but is seen as a poor successor to the previous albums. Most of the blame goes to producer Chris Tsangarides as far as the production and mix are concerned, but also the song writing is somewhat unfocused. Nevertheless, the album contains some very good songs by all members. To add to the problems, there are growing conflicts between Kiske/Schwichtenberg on one side and Weikath/Grapow on the other. Weikath tries to make his friend Andi Deris, singer of Pink Cream 69, join Helloween, but he feels loyal to his band. Because of their huge debts, Helloween are afraid of not getting anything in, and so they quickly release the following album "Chameleon" in early 1993, which sees the reunion with producer Tommy Hansen but is not successful at all. Despite the pretty good production and overall song quality, it drives off a lot of Helloween’s remaining fans, for few can accept the new music which now leans more towards AOR and mainstream rock, which is not how they expect Helloween to sound like. The poor performance on tour shows much of the tensions immanent in the band at that time. Before a gig in Japan, drummer Schwichtenberg collapses due to his misusing of drugs, and is replaced by session-drummer Richie Abdel-Nabi. Even worse, Helloween are fired by EMI.

Helloween 1993 with Ritchie

After the end of the tour in December 1993, Abdel-Nabi is dismissed from his position for most of the band members think that he does not fit the position. Tensions grow worse and worse and two weeks before the studio for the next production is booked, Helloween fire Kiske, for the rest of the band is not willing to share a studio with him another time. Weikath calls Deris again to convince him to take the vacant spot. The band chemistry in Pink Cream 69 is rotten at that time, and since he thinks he will not steal someone’s job, Deris decides to take his chances. Shortly thereafter in January 1994, the band manages to hire Uli Kusch as the new drummer (ex-Axe La Chapelle/Gamma Ray) and signs to Castle Communications.

During the production of the next album, the new Helloween feel the urge to come at least close to what they were hailed for in the Keeper-Era, for the last album did only harm to the band. They know that if they do not have success with the new record, there will probably be no Helloween anymore. To the media?s surprise, "Master Of The Rings" becomes an immediate success and Helloween are able to regain some of their old power and Andi Deris proves to be a worthy replacement for Kiske. Nearly a year after, the album is released in the U.S. with a bonus disc containing no less than 7 b-sides to commemorate the event. But on March, 8th 1995, a tragedy happens when former drummer Ingo Schwichtenberg commits suicide in Hamburg. Helloween dedicate their next album to him. "The Time Of The Oath", produced by Tommy Hansen and released in 1996, is based on the visions of Nostradamus, who foresaw troubled times for the years before the millennium. On the following word-tour, the fans celebrate Halloween?s return to top of the genre. Less than six months later, the live album ?High Live? is released, which is recorded on concerts Italy and Spain. The Japanese magazine "BURRN" elects Helloween as the best band of 1996.

Helloween 1994 – 2001

The year 1998 begins with the release of a 4-cd box called "Pumpkin Box" in Japan, which is a present for all Helloween collectors containing Helloween’s best material and some interviews. Later that year, Helloween present their third album with the new line-up. “Better Than Raw shows the band’s willingness for taking risks as the album combines new elements with the more traditional Helloween-style. The band tours as an opening act for Iron Maiden. In 1999 Helloween want to sign to a new record company but they still have to do one more record for Castle. Instead of throwing a best-of album on the market, they record "Metal Jukebox", a cover album containing rock, pop, and metal classics that influenced them in their past. Then in the year 2000, in order to receive a better promotion, Helloween sign to Nuclear Blast. Following suggestions of both the management and outside people, Helloween record the Roy Z/Charlie Bauerfeind-produced "The Dark Ride", an album that is totally different from their previous records, for it uses a lot of down tuned guitars and is characterised by a dark atmosphere. However, cohesion within the band is beginning to crack up as Michael Weikath, who is totally against this sudden change, gets into arguments with Roland Grapow and Uli Kusch about the musical direction they have in mind for Helloween. He later complains about not being allowed to take any part in the production of the album. At one point Weikath offers to leave the band in order to start something new. But Großkopf and Deris are not willing to let this happen as Weikath is seen as the main man by the fans and without him, Helloween would not be Helloween anymore. Besides, they both intend to continue with the music they have done on previous albums, whereas Grapow/Kusch want to stick the musical direction of "The Dark Ride". So shortly after the tour in 2001, they ask Grapow/Kusch to leave. The official reason for this is that they concentrated too much on their solo-projects. Later it becomes clear that "The Dark Ride" is Helloween’s worst selling album since "Chameleon". Definitely not what Nuclear Blast expected for their contract with Helloween.

Helloween is joined by Mark Cross (ex-Metalium), who replaces Uli Kusch on drums. It remains unclear who will be the new guitarist. Meanwhile, Kusch and Grapow upgrade "Masterplan", a project they would have done anyway, to a full band.

Helloween 2002 – 2005

After trying to lure his friend Henjo Richter (Gamma Ray) into the band, Michael Weikath follows a suggestion made by producer Charlie Bauerfeind and calls up guitarist Sascha Gerstner (ex-Freedom Call). Rehearsals with him on Tenerife show that he is a good choice, both as a guitarist and as member of the band, for the line-up gets along very well. Helloween then initiate their next production. Right at the beginning of the recordings in 2003, Mark Cross is diagnosed with mononucleosis, an illness that affects the organs and by which one is forced to refrain from any exhaustive work. Since Cross cannot go on with drumming, Helloween turn to Mikkey Dee (Motörhead, ex-King Diamond) to help them out. They choose him because he is known as a very talented drummer and most importantly, will not be mistaken for a replacement for Mark Cross’ as with Motörhead, he comes from a different genre. The recordings go pretty well, but soon Helloween have to realise that the insurance side won’t cover Cross’ absence because his illness could well last for over 2 years. Hence they are forced to look for a new drummer again. Since they are pressed by the management to record some more tracks for b-sides, Helloween invite Stefan Schwarzmann (ex-Accept, ex-UDO), a drummer Weikath knew back in the 80s, to Großkopf’s home studio, where they record the drums. It turns out that Schwarzmann is willing to join the band. A little after, the Charlie Bauerfeind-produced "Rabbit Don’t Come Easy" is released May 2003. The title was chosen to show that the band has returned to their more "happy"-side, for which they were known in the past and revolves about how similar the release of an album is compared to performing the trick of pulling about a rabbit out of a hat. In July 2003 Helloween are rehearsing in Hamburg, preparing for their longest world-tour ever. From the beginning of the tour in September, fans all over the world commend Helloween’s performance, which is better than ever. A sign of how well the new line-up is getting along. In October 2004, Helloween begin pre-production of their newest album. In February 2005, Schwarzmann and Helloween part ways amicably. During the tour it became apparent to him and to the rest of the band that, although things were going extremely well on the human side of things, they did not entirely share the same views musically. Schwarzmann decided to stay to help out the band during their pre-production until a replacement was found in Dani Löble, highly acclaimed ex-drummer of RAWHEAD REXX turned out to be the perfect man for Helloween.

Helloween since 2005

There had long been rumours that Helloween intended to release a follow up to the two legendary “Keeper” -albums but it is not until June that the band confirms “Keeper Of The Seven Keys – The Legacy”. A first single called “Mrs. God” is released on July 4th in South East Asia, followed by a world-wide release on September 5th. After the album's international release on October 31th, initial comments are talking of a landmark release.

November 2005, Jan Mathis


Copyright 1998-2005 Helloween GbR - All Rights Reserved


PanterA

Pantera was a heavy metal band from Arlington, Texas, that formed in 1981. Emerging alongside influential classic thrash metal acts such as Slayer, Metallica, Megadeth, and Anthrax, Pantera was a key formulator of the groove metal (post-thrash) subgenre of heavy metal music.

It would not be until nine years after forming that Pantera saw its first bit of commercial success in its major label debut, Cowboys from Hell. From there, Pantera became one of the most celebrated heavy metal bands of the 1990s. Despite the generally cold reception of the band's first four albums, critics have lauded Pantera's style thereafter; Jason Birchmeier of the All Music Guide considers Pantera to be "arguably the greatest metal band of '90s and ... one of the greatest and most influential metal bands ever." The band has received accolades such as ranking 45 on VH1's list of the "100 Greatest Artists of Hard Rock" and fifth on MTV's "Top 10 Greatest Heavy Metal Bands of All-Time".

Due to long-standing internal conflicts, Pantera dissolved in 2003. The following year, the band's guitarist, Dimebag Darrell, was shot and killed on-stage while performing with his new band, Damageplan.

History

Formation and early glam years (1981-1987)

Pantera formed in 1981 with its original line-up consisting of drummer Vinnie Paul Abbott, his brother, guitarist Dimebag Darrell Abbott (originally referred to as Diamond Darrell), bassist Tommy Bradford, guitarist Terry Glaze (also known as Terrence Lee), and vocalist Donnie Hart. At its conception, the members of Pantera were in 11th grade. They began performing KISS and Van Halen covers as well as original material in the glam metal vein in Texas nightclubs. Along with adopting the glam metal sound, the band members frequently performed in spandex and teased-up hair, a common appearance in the glam metal scene.

In 1982, Hart left the band and Glaze took over vocal duties. Rex Brown (originally referred to as Rex Rocker) soon replaced Bradford on bass. Pantera became an underground favorite, though its regional tours in this era never took them past Texas, Oklahoma, and Louisiana. The band began supporting fellow heavy metal acts such as Stryper, Dokken, and Quiet Riot, who in turn promoted Pantera's debut, Metal Magic. Metal Magic was released on the band's record label with the same name in 1983 and produced by the Abbott brothers' father, Jerry Abbott (referred to as "The Eldn'"), at Pantego Studios.

The following year, Pantera released its second album, Projects in the Jungle. Though still very much a glam metal album, the band members crafted songs that had less overbearing melodic influences than songs from Metal Magic. Another change was Terry Glaze's surname, which would be "Lee" from then on. In addition, a music video for the album's lead track, "All Over Tonight", was eventually created. Projects in the Jungle was also released on the independent Metal Magic Records label and produced by Jerry Abbott.

For the third consecutive year, Pantera recorded a full-length album to be released on Metal Magic Records, this time entitled I Am the Night. As with Projects in the Jungle, this album saw Pantera's sound becoming heavier (though still rooted in glam metal), and the heavy metal press took more notice of the band. Because of poor distribution, I Am the Night was a costly album to many fans. Around 25,000 copies of I Am the Night were sold. Pantera's second music video was produced for the track "Hot and Heavy".

A new vocalist emerges (1987-1989)

In 1986, two landmark thrash metal albums, Slayer's Reign in Blood and Metallica's Master of Puppets were released. These two bands would prove to be an important influence on Pantera's change in musical direction. Terrence Lee's glam approach did not fit the band's new outlook and was released; Pantera's search for a new vocalist had begun.

The band went through temporary vocalists such as Matt L'Amour and David Peacock before eventually discovering New Orleans native Philip Anselmo. Prior to joining, Anselmo was the vocalist for the bands Samhain and Razorwhite, and at his first jam session with Pantera, immediately clicked with the other members. With the search over, the band members decided to seriously reconsider their glam metal sound and image. Referring to the band's spandex appearance, Vinnie Paul remarked at a band meeting that "These magic clothes don't play music. We do. Let's just go out there and be comfortable – jeans, t-shirt, whatever – and see where it goes."

More than just the band's image was changing, however. In 1988, Pantera released its first album with Anselmo, entitled Power Metal. By far the band's heaviest album at this point, Power Metal was a mix of 1980s hard rock and thrash metal, sometimes blending both styles in a single song. Complementing the band's new sonic approach was Anselmo's harder-edged vocals compared to those of Terrence Lee.

As with the previous three '80s albums, Power Metal was released on Metal Magic Records. Because the band members would later ignore their independent releases as they sculpted a new, heavier image, these four albums are not listed on the band's official Web site and have become hard-to-find collector's items.

Cowboys from Hell (1989-1991)

Shortly after Power Metal was released, guitarist Dimebag Darrell (known then as Diamond Darrell) auditioned for Megadeth's vacant guitar slot. Darrell insisted his brother, bandmate Vinnie Paul, be included, but since Megadeth already had a drummer (former Megadeth roadie Nick Menza), the band backed off and recruited Marty Friedman instead. The Abbott brothers focused their attention back on Pantera, when in 1989, they were given their first shot at commercial success.

After being turned down "28 times by every major label on the face of the Earth," Atco Records representative Mark Ross saw the band perform after Hurricane Hugo stranded him in Texas. Ross was impressed by the band's performance and called his boss, suggesting that Pantera be signed to the label. Atco Records accepted, and at the close of 1989, the band recorded its major label debut at Pantego Studios.

Released on July 24, 1990, Cowboys from Hell was another leap into heavier territory. Pantera showed a more extreme style on this outing, leaving behind its glam metal influences in favor of an amalgamation of power metal and groove metal dubbed "power groove" by the band. Although Anselmo still used Rob Halford-influenced falsetto vocals, he also adopted a more abrasive delivery. Guitarist Abbott's more complex riffs and solos, along with his brother's faster-paced drumwork were evidence of the band's extreme transformation. The album marked a critical juncture in the band's history and most fans, along with the band itself, consider it Pantera's "official" debut. This release includes the popular tracks "Cemetery Gates", a brooding seven-minute piece that focuses on death and religion, and the thrashing title track, which gives the band members their nickname and personality.

So began the Cowboys from Hell tour alongside thrash act Exodus and hardcore punk band Suicidal Tendencies. In 1991, Rob Halford performed with the band onstage, which led Pantera to open for Judas Priest on its first show in Europe. The band eventually landed on a billing with AC/DC and Metallica and played to a crowd of over 500,000 for the "Monsters in Moscow" concert, which celebrated the demise of the Soviet Union in 1991.

Vulgar Display of Power and Far Beyond Driven (1992-1994)

Pantera's unique "groove" style came to fruition in its breakthrough album Vulgar Display of Power, released on February 25, 1992, which saw the replacement of the power metal falsetto vocals with a hardcore-influenced shouted delivery and heavier guitar sound. While some critics point to the rise of grunge music as the subsequent downfall of glam metal, others claim Pantera, most notably on Vulgar, as being the catalyst that overpowered popular '80s metal. Among critics and fans, it is frequently cited as the band's best effort. Songs like "Fucking Hostile", a fast, aggressive challenge of authority, the riff-driven "Walk", and "Mouth for War", remain some of the most popular songs in Pantera's catalog. Singles from Vulgar also received significant airplay on radio and their music videos on MTV. The album entered the American charts at #44.

Also in 1992, Pantera again collaborated with Judas Priest vocalist Rob Halford and cut the track "Light Comes Out of Black" for the Buffy the Vampire Slayer soundtrack. Halford took over main vocalist duties on the track, with Anselmo providing backing vocals. After the collaboration, Pantera hit the road again, visiting Japan for the first time in July 1992 and later performing at the Monsters of Rock festival co-headlined by Iron Maiden and Black Sabbath in Italy.

The extent to which Vulgar Display of Power grew in popularity can be assessed by the instant success of its follow-up, Far Beyond Driven (released on March 15, 1994), which debuted at #1 in both U.S. and Australian album charts, the first metal album to do so. "I'm Broken", Driven's fourth track, was nominated for Best Metal Performance at the 1995 Grammys. In this release, Pantera continued its groove metal approach, while taking an even more extreme direction with its musical style.

Pantera hit the road again and toured South America, along with being accepted into another Monsters of Rock billing. On June 4, 1994, the Abbott brothers got into a scuffle with journalists from the metal magazine Kerrang! over unflattering cartoon depictions of drummer Vinnie Paul. Pantera continued to tour the United Kingdom and eventually ended it in the United States where the band were opened for by fellow groove metal band Prong.

Band tension and a new album (1994-1996)

According to the Abbott brothers, frontman Phil Anselmo began behaving strangely and distanced himself from the band when they returned to the road in 1995. The rest of the band members first thought that Pantera's fame had gotten to Anselmo, but Anselmo cited back pain from years of intense performances as the reason for his erratic behavior. Anselmo attempted to subdue his pain through alcohol, but this, as he admits, was affecting his performances and "putting some worry into the band." Doctors predicted that with surgery, Anselmo's back problem could be healed, but that the recovery time could be a year or more. Anselmo refused, and began using heroin to completely numb his back pain.

Anselmo's on-stage remarks also became notorious during this time, and a Canadian DJ labeled some of his comments during a Montreal show as racist. Anselmo issued a public apology, stating that he was drunk and that his remarks were a mistake.

In 1995 Anselmo also began the first of numerous side projects called Down. Down was a supergroup consisting of Anselmo on vocals, Pepper Keenan and Kirk Windstein on guitars, Jimmy Bower on drums, and Todd Strange on bass. Down's first album, NOLA, was released on September 19, 1995. Pantera's own Rex Brown would later replace Strange on the group's second release, 2002's Down II: A Bustle in Your Hedgerow, named after a famous line from Led Zeppelin's "Stairway to Heaven".

Pantera's next album, The Great Southern Trendkill (released on May 22, 1996), came out during grunge rock's dominance and at the onset of rap metal. It is often considered Pantera's "overlooked" album. Phil Anselmo recorded the vocals for this release in Nine Inch Nails frontman Trent Reznor's studio in New Orleans while the rest of the band members recorded in Texas, evidence of the continued distancing between Anselmo and the rest of the band. In comparison to the band's previous efforts, there was a heavier emphasis on vocal overdubbing in a somewhat "demonic" fashion. Drug abuse is a popular theme in Trendkill, as exemplified by tracks such as "Suicide Note" and "Living Through Me (Hell's Wrath)". Perhaps the most popular song from Trendkill is "Drag the Waters", which advises the listener to take the motives of others with a grain of salt. "Drag the Waters" became the album's only music video, and likewise, the only track from the album to appear on the band's compilation album.

Overdose, a live album, and more side projects (1996-2000)

On July 13, 1996, Anselmo overdosed on heroin an hour after a Texas homecoming gig. After his heart stopped beating for almost five minutes, paramedics gave Anselmo a shot of adrenaline and sent him to the hospital. Anselmo apologized to his bandmates the next night, but this did nothing to stop the increasing doubt within the band. The revelation of heroin use came as a shock to Vinnie Paul, and his brother, Dimebag Darrell, was embarrassed by Anselmo's actions, according to the guitarist's girlfriend. Anselmo says he would relapse two more times and guilt overcame him.

Some of the band's live performances were eventually compiled in its July 29, 1997 release, Official Live: 101 Proof, which included fourteen live tracks and two new studio-quality songs: "Where You Come From" and "I Can't Hide". Some of the tracks' titles were slightly changed from their originals (e.g., "Hostile" instead of "Fucking Hostile"), while a track like "Dom/Hollow" ("Domination" and "Hollow", respectively) merged two separate songs together for a live performance. Two weeks before the live album's release, Pantera received its first platinum album in Cowboys from Hell. Nearly four months later, both Vulgar Display of Power and Far Beyond Driven went platinum.

Around this time, Anselmo ventured into more side projects, such as playing guitars on Necrophagia's 1999 release Holocausto de la Morte, where he went as the alias "Anton Crowley". He also temporarily joined the black metal supergroup Eibon and contributed to that band's 2000 release. Another one of Anselmo's "Anton Crowley" projects was black metal band Viking Crown. The Abbott brothers and Rex Brown began their own heavy metal/country music crossover project, Rebel Meets Rebel, around the same time.

Final album and break-up (2000-2004)

Pantera returned to the recording studio with Anselmo in 2000 and cut its last album, Reinventing the Steel, which was released on March 14. Steel debuted at #4 on the Billboard 200 and included "Revolution Is My Name" and "Goddamn Electric", the latter of which featured a Kerry King performance recorded during Ozzfest in Dallas. "Revolution Is My Name" became the band's second nomination for Best Metal Performance in the 2001 Grammys.

The band once again returned to touring and visited the United States, South Korea, Australia, and Europe. The tour in Europe was cut short, however, due to the September 11, 2001 attacks. This would be the last time the members of Pantera performed together. Back home, the band planned to release its fourth home video in Summer 2002 and record another studio album later that year, but neither came about. Anselmo again engaged in numerous side projects, chief among them being Superjoint Ritual. A second Down album, Down II: A Bustle in Your Hedgerow, was also released in 2002. Vinnie Paul claims that Anselmo told him he would take a year off following the events of September 11, but Anselmo's touring and record output for both Superjoint Ritual and Down contradicted this. The Abbott brothers were frustrated, and held out for a time, assuming Anselmo would return. However, according to Anselmo, taking a break from Pantera was a "mutual thing" between each of the band members.

The band officially broke up in 2003 when the Abbott brothers concluded that Anselmo had abandoned Pantera and would not return. The break-up of the band was not amicable and subsequently a war between the former bandmates was waged via the heavy metal and musical press. The Abbott brothers and Pantera crew members claimed that they tried numerous times to contact Anselmo over the phone to reorganize Pantera, but Anselmo maintains that they never called him. Caught up in the torrent was Rex Brown, who says "It was a bunch of he said, she said nonsense that was going on, and I wasn't going to get in the middle of it." Anselmo's comment in a 2004 issue of Metal Hammer magazine saying that "Dimebag deserves to be beaten severely" typified Pantera's internal conflicts; Anselmo insists that this comment was tongue-in-cheek.

In July 2004, Vulgar Display of Power went double-platinum, and The Great Southern Trendkill went platinum the next month.

Dimebag Darrell's murder (2004)

On December 8, 2004, crazed fan Nathan Gale, 25, jumped onstage and shot and killed Dimebag Darrell at the Alrosa Villa in Columbus, Ohio, as Damageplan, Darrell and Vinnie Paul's new band, began performing its first song. Before he was shot dead by police officer James Niggemeyer, Gale also killed fan Nathan Bray, 23; club employee Erin Halk, 29; and Pantera security official Jeff Thompson, 40. (For more on the shooting, see Dimebag Darrell.)

Anselmo flew to Texas to attend Darrell's funeral and waited five days in a hotel room for a response from Vinnie Paul. Anselmo says he called the drummer and anyone else he could get a hold of several times. Rita Haney, Dimebag Darrell's girlfriend, finally answered one of Anselmo's calls and said she would "blow [Anselmo's] head off" if he showed.

Public comments made by Phil Anselmo following the shooting suggested that he had considered reuniting with the band prior to Dimebag Darrell's death. However, an interview with Vinnie Paul one year after Dimebag Darrell's murder stated that this reunion was never going to happen.

When asked in an interview with Crave Music if there was any chance of him reconciling with Anselmo, Vinnie Paul answered "Absolutely not. That's it." The former Pantera drummer has since begun work on Hell Yeah, a collaboration between him and members from Mudvayne and Nothingface.

Personality and influences

Pantera has toured with Ozzfest as main stage acts twice; the band played at the second annual Ozzfest in 1997 and the fifth Ozzfest in 2000. Over the course of their career, Pantera's members became known for their excessive partying and debauchery, even acquiring an official drink called the "Black Tooth Grin". The Black Tooth Grin (or "Black Tooth," alternatively), which was named after lyrics in the Megadeth song "Sweating Bullets", is a mixture of Crown Royal or Seagram 7 whisky (sometimes both are used together) and Coca-Cola.

Pantera also adopted a self-described "take no shit" attitude, epitomized in its popular song "5 Minutes Alone" off of Far Beyond Driven. According to drummer Vinnie Paul Abbott, during a show in San Diego, California, Anselmo was annoyed by a heckler and encouraged the crowd to "jump [his] ass and beat the shit out of him on the spot." Consequently, the band was sued; the man's father took action and called Pantera's manager, saying, "You just give me five minutes alone with that Phil Anselmo guy and I'll show him who's big daddy around here," to which Anselmo responded, "You just give me five minutes with that cat's dad and I'll whoop his ass." Thus, "5 Minutes Alone" was born out of that experience.

The band members take pride in what they perceive to be an uncompromising career in which they never "sold out" or gave into trends. This is most noticeably highlighted in the themes and title of The Great Southern Trendkill. On Pantera's official Web site, Anselmo puts it in his own words:

We've survived every fucking trend. Heavy metal, grunge metal, funk metal, rap metal – and we're still here. We put everyone on notice that we don't fuck around. Our fans know we're true right down to the fucking core.

Similarly, the die-hard attitude of "We'll Grind That Axe For a Long Time" (from Reinventing the Steel) is, according to Anselmo, "in a way, our motto."

Aside from their thrash metal influences, the band members cite heavy metal pioneers Black Sabbath as one of their favorite bands. As a tribute, Pantera has recorded three different covers of Black Sabbath songs (all from the Ozzy Osbourne era). The first was "Planet Caravan", a slower, quieter song planned for the first Sabbath tribute album, Nativity in Black, that eventually became the final track on Far Beyond Driven. The band performed Sabbath's "Electric Funeral" on the second Nativity in Black. For the 2003 compilation album, The Best of Pantera: Far Beyond the Great Southern Cowboys' Vulgar Hits!, Pantera covered Sabbath's "Hole in the Sky". Pantera's affinity for Black Sabbath is also shown through the lyrics, "Your trust is in whiskey and weed and Black Sabbath," in "Goddamn Electric". The same song also mentions Slayer, one of the band's thrash metal influences.

Criticism

Exhorder

Pantera has come under criticism within the heavy metal world in relation to New Orleans groove metal band Exhorder. Some fans have accused Pantera of stealing from Exhorder the groove metal sound for which it became famous. While Pantera's style change on Cowboys from Hell was released before Exhorder's debut, Slaughter in the Vatican, Exhorder self-released two demos in the late 1980s that a number of fans believe to be the real birth of the musical style Pantera popularized.

The All Music Guide points to several elements of Exhorder's debut that could potentially explain its lack of success in relation to Pantera. In disagreement with the opinion that Exhorder is "Pantera minus the good songs," AMG's review of Slaughter in the Vatican expresses that "perhaps a more accurate billing would be to call them Pantera without the major label backing." They also point to the fact that the title of Exhorder's debut, along with the unsubtle album cover, "certainly didn't help [its] cause any."

However, some fans and critics dispute any notion that Pantera "stole" Exhorder's sound. Brian Davis, a contributor to Internet radio station KNAC, addresses the issue as follows:

Exhorder's main "claim to fame" is the common opinion that they're the band that Pantera stole their sound from. That's total bullshit. There are minor similarities in guitar style, and on occasion, vocalist Kyle Thomas spits out a line or scream that will bring Pantera to mind, but to go so far as to say that Pantera is an Exhorder clone is ludicrous.

Despite originally decrying Pantera as a rip-off to their sound, former lead vocalist of Exhorder, Kyle Thomas, has recently stated that he does not care about any of the criticism and is sick of seeing Exhorder's name tied to Pantera's. He also stated that he and the members of Pantera were great friends who used to tour together, and that he mourns the loss of Dimebag Darrell.

Megadeth

Besides some claims that Pantera stole Exhorder's sound, Dave Mustaine of Megadeth told MTV in 1994:

When I got together with James [Hetfield], he and I created a guitar style that everybody and their brother is playing now, everyone. I'm not gonna name anybody 'cause I'm not gonna promote them. OK, we'll say "panther" in Spanish. You're welcome guys. We might as well be cooking their dinner for them or pushing their little wheelbarrow to the bank for them.

Miscellanea

  • VH1's Behind the Music Pantera episode premiered May 11, 2006.
  • Several of Pantera's music videos were featured in Beavis and Butt-Head, an animated television series.
  • Pantera contributed a song called "Pre-Hibernation" to an episode of SpongeBob SquarePants. The main riff is similar to the one in "Death Rattle", a track off of Reinventing the Steel.
  • Cover versions of Pantera songs composed by Robert Prince were used in the making of Doom, a best selling first person shooter computer game from the 1990s.
  • Pantera's song "Cowboys from Hell" is featured in the video game Guitar Hero as one of the final (and more difficult) songs.

Members

Most recent

  • Phil Anselmo (Philip Hansen Anselmo) – Vocals
  • Dimebag Darrell (Darrell Lance Abbott) – Guitars and backing vocals
  • Vinnie Paul (Vincent Paul Abbott) – Drums
  • Rex Brown (Rex Robert Brown) – Bass

Former

  • Terry Glaze (Terrence Lee Glaze) – Vocals and guitar
  • David Peacock – Vocals
  • Donnie Hart – Vocals
  • Matt L'Amour – Vocals
  • Tommy Bradford – Bass


 
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